The nature of how firearms are used in film generally requires breaking the normal fundamental rules of firearm safety. You can’t just give somebody a quick rundown of the “four rules” and call it good.
Further, they’re also often modified in ways that change what safety factors need to be considered.
It’s the job of the on-set armorer to make sure firearms are safe and used in a safe manner because it’s not reasonable to expect actors who are firearms laymen to understand everything that plays a factor in what is or isn’t safe.
I do think this case is a little different, but that primarily has to do with Baldwin being a producer.
The nature of how firearms are used in film generally requires breaking the normal fundamental rules of firearm safety. You can’t just give somebody a quick rundown of the “four rules” and call it good.
Further, they’re also often modified in ways that change what safety factors need to be considered.
It’s the job of the on-set armorer to make sure firearms are safe and used in a safe manner because it’s not reasonable to expect actors who are firearms laymen to understand everything that plays a factor in what is or isn’t safe.
I do think this case is a little different, but that primarily has to do with Baldwin being a producer.