@Tin - eviltoast

My gender is liminal, I’m just passing through. she/ae/aer

Former Hare Krishna, Trekkie, digital minimalist, Vim evangelist, Chaos Buddhist, statistician. Not necessarily in that order.

Links at https://tntgl.cc

  • 2 Posts
  • 22 Comments
Joined 1 year ago
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Cake day: May 14th, 2023

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  • It started off pretty well but all day today I’ve been fighting with my health insurance (again) because they have decided they don’t want to cover an essential medication that my partner has been on for years (again). Things are moving forward, our primary doctor just gave us over a month’s worth of samples so we won’t run out while we fight, and they are compiling documentation to make a case. I’ve never had to fight to have meds covered like I have with our prescription provider this year, it’s the worst. I had to fight them earlier this year to get them to cover long-acting insulin. Insulin! Ridiculous.

    Other than that, can’t complain.


  • I really enjoy the community here on Beehaw, even though I mostly lurk and rarely post/comment. I do support Beehaw and will stay even if the platform changes. That said - and I speak only for my own experience here - I don’t subscribe to any categories outside of Beehaw itself, just because (a) I know how the fediverse can be, and (b) there’s a LOT out there, and I like the simplicity of a smaller community. For those reasons, adopting a whitelist would not impact my experience on Beehaw much, if at all. Wanted to say this in case it resonates with other users. Thanks for all you do.








  • Jenna Ellis, a lawyer who assisted Mr. Giuliani in his efforts to keep Mr. Trump in power after he lost in 2020, expressed frustration over the looming legal costs a few days after her indictment in the case. “Why isn’t MAGA, Inc. funding everyone’s defense?” she asked last week on X, formerly known as Twitter.

    Oh look, a crack in the wall.





  • Good one! It was certainly an unexpected cover when it was released, and it wouldn’t surprise me if the Johnny Cash version had overshadowed the original in terms of audience familiarity. I’m also fond of Nine Inch Nails’ cover of Queen’s “Get Down Make Love”, it was a rather niche track for both bands - so much so that despite being a Queen fan, I heard the NIN version first.



  • a band called Genesis.

    Man, this made me feel old, and also I had to laugh. Yeah, little band called Genesis. 😂

    When I was young Genesis was everywhere. You couldn’t listen to the radio for more than 30 minutes without hearing a Genesis song. Since you seem to not know of them, allow me to introduce you: Phil Collins (vocals/drums), Mike Rutherford (bass/guitar), and Tony Banks (keyboards) is the lineup that most people know. They were the three left over after Steve Hackett and Peter Gabriel left the band in the 1970s. In the 70s, they were a prog-rock band, but in the 80s the three remaining members shifted from prog-rock to pop, and the rest is history.

    I adore their old stuff, and there is so much to potentially introduce you to, but let’s go with this performance of Abacab from '87. The song was released in 1981, and is still in their ‘transition’ period from a prog band to a pop band. They were absolute powerhouses onstage. Phil Collins in particular is an incredible performer. This song sounds like the 1980s squeezed into pure music, but really, Genesis didn’t sound like 80s pop music. 80s pop music sounded like Genesis. Have a listen.

    https://www.youtube.com/watch?v=GvOms5JXDXY


  • “Mad World” is the classic “what do you mean that’s a cover?” song… here are some great ones that I haven’t seen mentioned yet:

    • Nine Inch Nails “Dead Souls” (from The Crow soundtrack) is a Joy Division cover.
    • Guns ‘N Roses "Knockin’ on Heaven’s Door" is a Bob Dylan cover.
    • Whitney Houston “I Will Always Love You” is a Dolly Parton cover.
    • Nirvana’s “The Man Who Sold the World” is a David Bowie cover.
    • Fugees “Killing Me Softly with His Song” is a Roberta Flack cover, but Roberta Flack’s version is also a cover, it was initially recorded by Lorie Lieberman.