Hearing what it was like to write, shoot, and animate ‘Baldur’s Gate 3’ definitely explains why the romances and intimate moments feel so real.
Hearing what it was like to write, shoot, and animate ‘Baldur’s Gate 3’ definitely explains why the romances and intimate moments feel so real.
Why on earth are you focusing so much on the Nazis, especially after I pointed out how some of the imagery used for witches and hags goes back to the 1200s?
Antisemitic caricatures were applied to witches (in fact, “witch’s sabbaths” used to be called “witch’s synagogues”), and that imagery was solidified with the printing press and normalized in Europe as what a “witch” looked like. Then, the modern era, that same imagery was used in Disney films (ie, the witch disguise the wicked queen used when she gave Snow White the poisoned apple) and other kinds of media, because that’s just what a “witch” looks like. The image of a “wicked witch” spread around the world, including Asia (because how common is a large hooked nose over here anyway, and yes, I say “here” because I’ve lived in Asia for 20 dang years now). People use that image of a “wicked witch” with, in general, no idea where it original came from. That’s why I say it has its roots in antisemitism but isn’t necessarily used with antisemitic intention or ever knowledge of where the imagery comes from.
Because that’s what the entire article you linked was about! Why were you even linking that if you don’t agree with what they’re saying? It’s like you didn’t even read it before posting 😓 Fine, dropping the dang article and moving on.
My point, which you haven’t actually addressed so far, is that caricature has always been around. Maybe not witches, but other things. Given that, it’s extremely western-centric to assert that all caricature today is rooted solely in antisemitism. It has roots far older and further back than that.
We’re talking around each other. Have a nice day!