Yesterday, I began watching the 1960s British sci-fi series The Prisoner (first five episodes) and have been quite enjoying it. Much of my enjoyment has been from the fact that it kind of feels like āWhat if The Cage was a whole series?ā
In other words, like āThe Cageā, itās a prison environment in which a person canāt be certain of reality any more. It does diverge in all the torture on number 6, whereas the Talossianās illusions are less flawed and sadistic a prison in some ways (you know, besides the purpose of breeding a bunch of human slaves). However, I feel like both āThe Cageā and The Prisoner overall embody the same āeverything might be fakeā sense of reality. I almost feel like āThe Prisonerā is somewhat a window into what Star Trek might have been if CBS hadnāt thought people would be too dumb to understand āThe Cageā.
Besides the similar vibes with āThe Cageā, another thing winning me over is the surreal set design, which has already won a place in my heart. I just wish I could make a replica of one of the signs in the village and have it not be so obscure no one would ever recognize it.
The main thing my 21st century brain finds fault with is the strong gender roles used in The Prisoner (there is always some woman that Number 2 sends to try and manipulate Number 6), although like TOS, Iāll give it a pass since it was in the same boat as most television at the time. However, I did like the twist in āFree for Allā where Number 58 is revealed to be the real new Number 2.
Be seeing you!
Such a reference of three oddly specific sci-fi shows. I knew Koenig was in Babylon 5, but Iāve never watched the show. Itās sort of on my mental classic/90s/early 2000s sci-fi watchlist, along with: