I have mixed feelings about Disco ending. I really dug the first season’s look at a Federation at war, and following the person who arguably set that war in motion dealing with her culpability. Add to that a ship that is part weird science lab, part haunted house. And yeah, I could live with the Klingon redesign.
It was inventive, it took risks and broke some moulds — and not always successfully, mind you. But I stuck with it from the hopeful “First three seasons are for growing pains” Trek paradigm.
Then the show took some odd turns. Rather than focusing on the crew’s adventures in space and science, season two constructed a cosmic conundrum around Burnham and her family. I was still on board for the characters, even bearded Spock no matter how shoehorned in he felt. The show’s unapologetic optimism was still a big selling point, too.
With season three came the time jump into a future that absolutely does not feel like it’s a thousand years ahead of the previous season. The jump in technology should be proportional to a Viking longboat rocking up to the ISS, but it felt like a step back. And at this point, the extended crew of the Discovery was thoroughly sidelined: Burnham’s personal relationships took priority over everything else.
For one example: As great as Michelle Yeoh is, the show basically redeemed a murderous space despot because… she reminded Burnham of her Starfleet counterpart?! I’m going to stop you right there, Captain “This is Starfleet” — this is a person who kept rubbing in Saru’s face how familiar she was with the taste of his species’ flesh.
I’ll keep watching Disco through to its end because I’m invested in the remaining characters, but this isn’t the show I apprehensively fell in love with anymore. Its strengths are all but gone, its faults enhanced, and its commercial(?) failure seems to have convinced the Powers That Be that future Star Trek needs to be grounded in nostalgia for previous eras.
I will miss the first season’s promise of new, daring Trek shows writ large, and as much as I liked Pike and his crew in season two, SNW leans too heavily and knowingly on the franchise’s campier canon for my taste (I know I’m in a minority with that opinion, and I’m not here to argue for or against). With peak TV fading, I’m afraid we won’t see anything as bold as TNG, DS9 — or early Discovery — again.
I have a tendency to wait for seasons to be completed before marathoning them, with a few exceptions. The problem with that approach is that I can fall away from shows as new ones come out, and forget to circle back. Despite being a huge Trek fan (I can’t estimate the number of times I’ve rewatched TNG, DS9, and VOY), I’m behind on all of the new Treks.
I am a fan of Michelle Yeoh. She’s one of my favorite actors, and I’ll go out of my way to watch whatever she’s in. Stamets was a favorite character, and more often than not it was his plot lines that pulled me along into the next episode. I mean, I’m a biologist with mycophobia, and I still obsessed with his personal, romantic, and scientific journeys.
I just could not get into Burnham, though. One of the reasons I loved DS9 so much was that Sisko was about as close to a realistic military officer as Trek has come. I love Picard and Janeway, but Sisko was the only one who I felt could have been someone I knew during that stage of my life. There was still plenty of Trek going on, but when he got military, you could tell.
Burnham was the exact opposite. It was like every single decision point was where she’d do the least military and even the least Starfleet thing. I could throw around words like selfish or immature, but it wasn’t even restricted to that. And they were entirely broadcasted and predictable - I’d be watching and say “Oh, please don’t let her do X,” and sure enough she’d do X. This wasn’t a plot point or a flawed hero motif, it was built into the character.
I loved Milly. I loved Saru (love anything Doug Jones does). But Burnham was terrible, and the show revolved more and more around her. She wasn’t a femme Kirk or a woke Janeway. She was like a privileged 15 year old given command in a galaxy-spanning military/scientific/governmental organization.
I will make it back to the new Treks. I’ve finished all of my Taika Waititi shows, I just did my Nth rewatch of Schitt’s Creek and The Good Place, and I’m still a couple months away from redoing The Other Two. I need to scratch my sci fi itch. I just don’t know if I’m going to make it back to Disco before doing something else like SNW or Picard, or yet another pass through the old Treks.
Thanks for this. I love your personal perspectives and insights on Stamets and Sisko!
You’re absolutely right that Michelle Yeoh is a treasure, and her visible joy at playing an operetta villain was all the bts reason they needed to keep her on screen that long. Within the story though, her character was so irredeemable it didn’t make a lick of sense.
Speaking as someone who has made counterintuitive, spur of the moment decisions, however, I thought Burnham’s character was quite realistic 🙂 Terrible perhaps — me too — but thoroughly human. And I respectfully disagree, she is very much a female Kirk type in my eyes. They go 1:1 on following their gut instinct over Starfleet protocol, though maybe Kirk hijacked more ships in the process.
When you do make it back to Trek, seeing how you’re into comedy shows as well, I really recommend you to watch Lower decks. It’s a loving, dedicated bear hug of a tribute to the franchise, and has characters written with heart, too.