I am ashamed that I hadn’t reasoned this through given all the rubbish digital services have pulled with “purchases” being lies.
I am ashamed that I hadn’t reasoned this through given all the rubbish digital services have pulled with “purchases” being lies.
Sony is a dispensible broker/manager who no one likely assigns credit to for a work. I didn’t even know who Sony pimped – just had to look it up. The Karate Kid, Spider-man, Pink Floyd… Do you really think that when someone experiences those works, they walk away saying “what a great job Sony did”?
I don’t praise Sony for the quality of the works they market any more than I would credit a movie theater for a great movie that I experience. Roger Waters will create his works whether Sony is involved or not.
You also seem to be implying they have good metrics on black market activity and useful feedback from that. This is likely insignificant compared to rating platforms like Netflix and the copious metrics Netflix collects.
Can you explain further why grabbing an unlicensed work helps Sony? Are you assuming the consumer would recommend the work to others who then go buy it legitimately?
If it becomes a trend to shoplift Sony headphones, the merchant takes a hit and has to decide whether to spend more money on security, or to simply quit selling Sony headphones due to reduced profitability. I don’t see how that helps Sony. I don’t shoplift myself but if I did I would target brands I most object to.
Pedanticism that totally avoids the point. Whether they provide the product or create it, the logic still obviously applies.
This also defeats the point that it is some duty to pirate it, because if they have no idea the scope then how many people doing it is not going to affect their decisions there either
If we’re being pedantic, I never said it helps them. I said it let’s them know there is demand there and that not consuming it would be better for the goal.