We live in an era of absurd musical abundance. Streaming services put the (in)complete history of recorded music at our fingertips, with sophisticated recommendation algorithms that promise to tailor us the perfect playlist. More than 100,000 new tracks are uploaded every day to platforms like Spotify, Apple Music or SoundCloud. As the hip-hop innovator Kool Keith put it in a 2020 interview: ‘There’s so much new music out there that it’s just too much for the average antique person.’ It can be too much for any person, antique or otherwise. We’re saturated, inundated with the stuff. But the problem isn’t just abundance: it’s what we do with the musical riches at our fingertips.